Darb el Sim – The old church of Our Lady of the Annunciation

Darb El Sim, Lebanon

Other Details

كنيسة سيّدة البشارة القديمة

Darb Es-Sim

Saida

South

كنيسة سيّدة البشارة القديمة - درب السيمبنى الصليبيّون الكنيسة في القرن الثاني عشر بهندسةٍ دفاعيّةٍ، الكنيسة مؤلفة من سوقٍ واحدة بعقدٍ مصالبٍ. مع رحيل الصليبيّين أصبح البناء بيد مشايخ آل الجواد الشيعة الذين حافظوا عليه طوال قرون. مع قدوم الموارنة إلى البلدة في القرن الثامن عشر، أعاد لهم الشيخ منصور الجواد البناء، فأعادوا تكريس الكنيسة وبناء المذبح. خربت الكنيسة في أحداث ١٨٦٠ و١٩٨٥ ورمّمت مرّتين.لوحة سيّدة البشارة هي من محفوظات الكنيسة الجديدة، من عمل الرسّام أندريه نمّور.The old church of Our Lady of the Annunciation - Darb el SimThe church was built by the crusaders in the XIIth century. The structure consists of a single nave with a crossed vault, and many defensive elements. After the crusaders left, the structure was left with a feudal Shia family, the Sheikhs of Al Jawad. With the settlement of the Maronites in the village during the XVIIIth century, Sheikh Mansour Al Jawad gave them back the church. The Maronites reconsecrated it and built a new altar. The church was sabotaged during the wars of 1860 and 1985 and restored twice.The painting of the Annunciation is contemporary made by Andre Nammour.

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Maghdouhe – Our Lady of Awaiting

Basilica of Our Lady of Mantara - بازيليك سيدة المنطرة, Maghdoucheh, Lebanon

مقام سيدة المنطرة العجائبي مغدوشة

Maghdoucheh

Saida

South

Our Lady of Mantara is a Melkite Greek Catholic Marian shrine in Maghdouché, Lebanon, discovered on 8 September 1721 by a young shepherd. The grotto, which according to a legend dates to ancient times, was subsequently cared after by Monsignor Eftemios Saïfi, Melkite Catholic bishop of the Melkite Greek Catholic Archeparchy of Sidon. The shrine consists of a tower crowned with the statue of the Virgin and Child, a cathedral, a cemetery and a sacred cave believed to be the one where the Virgin Mary rested while she waited for Jesus while he was in Tyre and Sidon. (Women were not allowed in some cities). Since its discovery, it has been steadily visited by families particularly each year on the occasion of the feast of the Nativity of Mary on 8 September.

Ancient era
Many historians agree that the devotion to the Virgin Mary in Lebanon replaced the Phoenician worship of Astarte. Temples and shrines to Astarte were converted to Christian places of worship, honoring the Virgin. This is also true in Maghdouché where within the vicinity of Our Lady of Awaiting are the remains of a shrine to Astarte.

Middle Ages
During the reign of Emperor Constantine, his mother, Saint Helena of Constantinople, requested in 324 the destruction of all pagan temples and idols dedicated to Astarte. The Astarte shrine in Maghdouché was probably destroyed at that time and converted to a place of devotion to the Holy Mother.

Since the early Christian era, the inhabitants of Maghdouché have venerated the cave where the Virgin Mary rested while she waited for her son, Jesus to finish preaching in Sidon. Saint Helena asked the Bishop of Tyre to consecrate a little chapel at the cave in Maghdouché. She sent the people of Maghdouché an icon of the mother and child and some altar furnishings. Historians believe that Saint Helena asked the people to name the chapel, and they named it "Our Lady of Awaiting" because it was there that the holy mother waited for her son.[4] Mantara is derivative of the Semitic root ntr, which means “to wait."

Saint Helena provided funds from the imperial treasury for the maintenance of the chapel. The funding continued for three centuries of Byzantine rule in Phoenicia until Khalid ibn al-Walid defeated Emperor Heraclius at the Battle of the Yarmuk.[4] While the caliph Omar, who became ruler of Jerusalem, was a pious and humble man, sparing Christendom's holiest shrines and being tolerant of his Christian subjects, the Arab rulers of the rest of Byzantium were less tolerant of the Christians, especially in the maritime cities of Tyre, Sidon, Beirut, Byblos, and Tripoli.[4] After the majority of the Sidonians converted to Islam to receive promised privileges and immunities, the people of Maghdouché withdrew to higher elevation up Mount Lebanon. The caliphate had recognised the Christians of Mount Lebanon as autonomous communities, paying a fixed tax. Before abandoning their village, they concealed the entrance to the cave of Our Lady of Awaiting with stones, earth and vines. The people left the village through obscure mountain paths to the strongholds of Christian Lebanon. The legend of Our Lady of Awaiting was passed down to the exiled generations of Maghdouché for one thousand years.

The people of Maghdouché did not return to their ancestral home despite the arrival of the Crusaders in Sidon. The Crusaders spent most of the 12th and 13th centuries in the shadow of Maghdouché without ever suspecting the sacred cave's existence even though they built a small fort, called La Franche Garde, within meters of the hidden entrance to the cave.

Modern era
The people of Maghdouché only returned to their ancestral village during the reign of the Druze Prince Fakhreddin II (1572-1635). The prince, who was considered a tolerant and enlightened ruler of his day and age, believed in equality amongst the diverse religious followers of his Lebanon. To demonstrate this equality, he appointed a Maronite Catholic as Prime Minister, a Muslim as Minister of the Interior, a Druze as Army Commander and a Jew as Finance Minister. His reign was a rare example of non-sectarianism, and it soon became the most prosperous principality in the Ottoman Empire.

It was not easy to relocate the sacred cave even though the men of Maghdouché worked for hundreds of years near the grotto, pulling down the stones of the Crusader fort for building material for their new homes. The cave was finally rediscovered on 8 September 1721 by a young shepherd when one of his goats fell in a well-like opening in the porous limestone. Wanting to save his goat, the shepherd made a rope from vine twigs, tied it to a tree, and descended into the hole, but the rope broke and he fell. When his eyes became accustomed to the darkness of the grotto, the boy saw a soft glimmer of a golden object, which turned out to be Saint Helena’s icon of the Mother and Child. The boy climbed up the stone walls and ran to the village to tell his discovery.

Greek Catholic

Abeydat – The hermitage of St Simeon the stylite in Wadi al-Bouwayli’e

Aabeidat, Lebanon

محبسة مار سمعان العاموديّ وادي البواليع

Aabaydat

Jbeil

Mount Lebanon

محبسة مار سمعان العاموديّ وادي البواليع - عبيدات

المحبسة عبارة عن تَجوِيفٍ مَحفُورٍ فِي الصَّخر، بِدَاخِله صُوَرٌ جُدرَانِيَّةٌ تعود إِلى القَرن الثَّاني عَشَر. مِن بَينِ هِﺬهِ الجُدرَانِيّات رَسمُ الشفاعة، وَكِتَابَةٌ سِرَيَانِيَّةٌ لَم يَبقَ منهَا وَمِن الرُّسُومِ إلّا القَلِيل بِسَبَب عَوَامِل الطَّبِيعَة وَجَهل الإِنسَان. يَتمُّ الصُعُودُ إِلَى غُرَفِ الدَّير بِوَاسِطة سَلَالِم خَشَبِيَّةٍ وَأُخرَى حَدِيدِيَّةٍ مُستَحدَثَةٍ.تُجَاوِرُ دَيرَ مَار سِمعَان كَنِيسَة مَارت مُورَا، وَهِيَ عِبَارَةٌ عَن نَقرٍ في الصَخرِ.بحسب الخبراء جداريّات عبيدات تعودُ لراسم جداريّات كنيسة مار تادرس بحديدات.

The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat

The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.

Tannourin el Fawka – The monastery of St Challita

Saint Challita Church, Tannourine El Faouqa, Lebanon

دير مار شلّيطا

Tannourine El-Faouqa

Batroun

North

دير مار شلّيطا - تنوّرين الفوقا

من أقدم كنائس تنّورين، يرجّح البعض أن يكون البناء في الأصل هيكلاً وثنيًّا. الكنيسة مزدوجة بمذبحين: مار شليطا ومار جرجس، دلالة على أنّ الكنيسة تعود لأواسط العصر البيزنطيّ. دير مار شليطا يحوي نقوشًا مميّزة: صليب العاموديّين، الصليب الورديّ، والنجوم المثمّنة والمسدّسة. جرسها من عمل فارس النفّاع سنة ١٩٤٤. في الكنيسة لوحتين غير موقّعتين لمار جرجس ومار شليطا تعودا لما قبل القرن السادس عشر.

The monastery of St Challita - Tannourin el Fawka

It is one of the oldest churches in Tannourin, and used to be a pagan temple according to some sources. The double choir indicates that the structure dates back to the mid Byzantine era. The monastery of St Chalyta is finely built with rare encrypted geometric shapes on the apses : the rose cross, the cross of the stylite, the six and the eight pointed stars... The bell is done by of Fares el Nafah in 1944. In the church are two paintings for St Challita and St George dating back to the XVIth century and not signed.